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Adair, John and Sol Worth
                    (1967) "The Navajo as Filmmaker. A Brief Report of Research in the Cross-cultural Aspects of Film-communication." In: American Anthropologist Vol. 69.1:76-78

Albers, Patricia C. and William R. James
                    (1990) "Private and Public Images: A Study of Photographic Constrast in Postcard Picutres of Great Basin Indians, 1898-1919." In: Visual Anthropology Vol. 3.1:343-366

Alexowitz, Myriam
                    (2003) Taumfabrik Bollywood. Indisches Mainstream-Kino. Bad Honnef: Horlemann Verlag

Altheide, David L.A.
                    (1996) Qualitative Media Analysis. Qualitative Research Methods Vol. 38 London et al.: Sage Publications

Asch, Patsy and Linda Connor
                    (1994) "Opportunities for 'Double-Voicing' in Ethnographic Film." In: Visual Anthropology Review Vol. 10.2:14-28

Asch, Patsy and Linda Connor
                    (1993) "A "Visual Dialogue" - Contexts of Cross-cultural Speaking in Our Films." In: Robert M. Boonzajer Flaes and Douglas Harper (eds.) Eyes Across the Water. Vol.IIpp. 19-30 Amsterdam: Het Spinhuis

Asch, Timothy
                    (1995) "Bias in Ethnographic Reporting: A Personal Example from the Yanomamo Ethnography." In: Philipsen, Hans Hendrik and Brigitte Markussen (eds.) Advocacy and Indigenous Film-making. Intervention - Nordic Papers in Critical Anthropology Nr. 1:55-74 Højbjerg: Intervention Press

Asch, Timothy
                    (1992) "The Ethics of Ethnographic Film-making." In: Peter Ian Crawford and David Turton (eds.) Film as Ethnography. pp: 196-204 Manchester: Manchester University Press

Asch, Timothy
                    (1991) "Das Filmen in Sequenzen und die Darstellung von Kultur." In: Reinhard Kapfer, Werner Petermann und Ralph Thoms (eds.) Jäger und Gejagte. John Marshall und seine Filme. pp. 123-134 München: Trickster-Verlag

Asch, Timothy
                    (1991) "The Story We Now Want to Hear Is Not Ours to Tell - Relinquishing Control over Representation. Toward Sharing Visual Communication Skills with the Yanomami." In: Visual Anthropology Review Vol. 7.2:102-106

Asch, Timothy
                    (1988) "Collaboration in Ethnographic Filmmaking: A Personal View." In: Jack Rollwagen (ed.) Anthropological Filmmaking. pp. 1-29 Chur et al.: Harwood Academic Publishers

Asch, Timothy
                    (1979) "The First Stages of Comparative Ethnographic Filming." In: Savicom Newsletter Vol. 7:5-8

Asch, Timothy
                    (1971) "Ethnographic Film Production." In: Film Comment Vol. 7.1:40-42

Asch, Timothy and Patsy Asch
                    (1996) "Ethnographic Film." In: David Levinson and Melvin Ember (eds.) Encyclopedia of Cultural Anthropology. pp. 411-416 New York: Henry Holt and Company Inc.

Asch, Timothy and Patsy Asch
                    (1988) "Film in Anthropological Research." In: Paul Hockings and Yasuhiro Omori (eds.) Cinematic Theory and New Dimensions in Ethnographic Film. pp. 165-189 Osaka: National Museum of Ethnology

Asch, Timothy, John Marshall and Peter Spier
                    (1973) "Ethnographic Film: Structure and Function." In: Annual Review of Anthropology Vol. 2:179-187

Askew, Kelly and Richerd R. Wilk (eds.)
                    (2002) The Anthropology of Media. A Reader. Oxford: Blackwell

Aufderheide, Pat
                    (1995) "The Video in the Villages Project: Videomaking with and by Brazilian Indians." In: Visual Anthropology Review Vol.11.2:83-92

Balikci, Asen and Quentin Brown
                    (1966) "Ethnographic Filming and the Netsilik Eskimos." In: Educational Services Inc., Quaterly Report pp. 19-33

Ball, Michael S. and Gregory W.H. Smith
                    (1992) Analyzing Visual Data. Qualitative Research Methods Vol. 24 London et al.: Sage Publications

Ballhaus, Edmund
                    (2002) "Rede und Antwort. Antwort oder Rede? Interviewformen im kulturwissenschaftlichen Film." Wossidlo, Joachim und Ulrich Roters (eds.) Interview und Film. Volkskundliche und Ethnologische Ansätze zu Methodik und Analyse. pp. 11-49 Münster: Waxmann

Ballhaus, Edmund
                    (2001) Kulturwissenschaft, Film und Öffentlichkeit. Münster: Waxmann Verlag GmbH

Ballhaus, Edmund
                    (2001) "Ein Thema - unterschiedliche Sichtweisen. Zur Dokumentation eines Jungesellenbrauches im wissenschaftlichen Film und im Fernsehen." In: Edmund Ballhaus (ed.) Kulturwissenschaft, Film und Öffentlichkeit. pp. 171-198 Münster: Waxmann Verlag

Ballhaus, Edmund
                    (1995) "Film und Feldforschung" In: Ballhaus, E. und B. Engelbrecht (eds.) Der ethnographische Film. Einführung in Methoden und Praxis. pp. 13-46 Berlin: Reimers Verlag

Ballhaus, Edmund
                    (1986) Abschied vom alten Dorf. Eine Dorfentwicklung im Spiegel der Fotografie und in den Aussagen der Bewohner von 1900 bis heute.

Ballhaus, Edmund
                    (1985) Dorfentwicklung im Spiegel der Fotografie und im Bewußtsein der Bewohner am Beispiel Echte. Gütersloh: Bauverlag

Ballhaus, Edmund und Beate Engelbrecht (ed.)
                    (1995) Der ethnographische Film. Einführung in Methoden und Praxis. Berlin: Diedrich Reimer Verlag

Banks, Marcus
                    (1997) "Visual Research Methods." In: pp. 5 http://www.soc.surrey.ac.uk/sru/SRU11/SRU11.html

Banks, Marcus
                    (1993) "Constructing the Audience Through Ethnography." Vortrag gehalten an der NAFA-conference Reykavijk

Banks, Marcus
                    (1992) "Which Films Are the Ethnographic Films?" In: Peter Ian Crawford and David Turton (eds.) Film as Ethnography. pp: 116-130 Manchester: Manchester University Press

Banks, Marcus and Howard Morphy (eds.)
                    (1997) Rethinking Visual Anthropoogy. New Haven: Yale University Press

Banta, Melissa and Curtis M. Hinsley
                    (1986) From Site to Sight. Anthropology, Photographie, and the Power of Imagery. Cambridge, Mass.: Peabody Museum Press

Barabowska, Malgorzata
                    (1995) "The Mass-Produced Postcard and the Photography of Emotions." In: Visual Anthropology Vol. 7.3:171-190

Barbash, Ilisa and Lucien Taylor
                    (1997) Cross-Cultural Filmmaking. A Handbook for Making Documentary and Ethnographic Films and Video. pp. 554 Berkeley et al.: University of California Press

Barbash, Ilisa and Lucien Taylor
                    (1996) "A 'Conversation' with David MacDougall and Judith MacDougall." In: American Anthropologist Vol. 98.2:371-387

Barkan, Elazar and Ronald Bush (eds.)
                    (2002) Claiming the Stones, Naming the Bones. Cultural Property and the Negotiation of National and Ethnic Identity. Los Angeles: Getty Publications

Barnouw, Erik
                    (1993) Documentary, A History of the Non-fiction Film. New York, Oxford: Oxford University Press

Bateson, Gregory and Margaret Mead
                    (1942) Balinese Character: A Photographic Analysis. Special Publications 11 New York: New York Academy of Sciences

Bechdolf, Ute
                    (2003) "Kulturwissenschaftliche Medienforschung: Film und Fernsehen." In: Silke Göttsch und Albrecht Lehmann (eds.) Methoden der Volkskunde. pp. 251-276 Berlin: Reimer Verlag

Bechdolf, Ute
                    (2001) "Kulturwissenschaftliche Medienforschung: Film und Fernsehen." In: Silke Göttsch und Albrecht Lehmann (ed.) Methoden der Volkskunde. Positionen, Quellen, Arbeitsweisen der Europäischen Ethnologie Berlin: Dietrich Reimer Verlag

Becker, Jochen (ed.)
                    (2003) Visuelle Anthropologie. Ethnoscripts Jg. 5.1 Hamburg

Beller, Hans (ed.)
                    (2002) Handbuch der Filmmontage. München: TR-Verlagsunion

Berry, Chris
                    (1994) A Bit On the Side. East-West Topographies of Desire. Sydney: EMPress

Berry, Chris, Annette Hamilzon, Laleen Jayamanne (eds.)
                    (1997) The Filmmaker and the Prostitute. Dennis O'Rouke's The Good Woman of Bangkok. Sydney: Power Publications

Beyerle, Mo
                    (1997) Authentisierungsstrategien im Dokumentarfilm: Das amerikanische Direct Cinema der 60er Jahre. Trier: WVT

Biella, Peter
                    (1988) "Against Reductionism and Idealist Self-Reflexivity: The Ilparakuyo Maasai Film Project." In: Jack Rollwagen (ed.) Anthropological Filmmaking. pp: 47-72 Chur et al.: Harwood Academic Publishers

Biella, Peter, Napoleon A. Chagnon and Gary Seaman
                    (1997) Yanomamö Interactive. The Ax Fight. Case Studies in cultural Antropology Multimedia Series Fort Worth et al.: Harcourt Brace & Co.

Birdwhistell, Ray
                    (1970) Kinetics and Context. Philadelphia: University of Pennsylvania Press

Blüminger, Christa (ed.)
                    (1990) Sprung im Spiegel. Filmisches Wahrnehmen zwischen Fiktion und Wirklichkeit. Wien: Sonderzahl

Böhl, Michael
                    (1985) Entwicklung des ethnographischen Films. Die filmische Dokumentation als ethnographisches Forschungs- und universitäres Unterrichtsmittel in Europa. Göttingen

Bourdieu, Pierre et. al.
                    (1983) Eine illegitime Kunst. Die sozialen Gebrauchsweisen der Photographie. Frankfurt: Suhrkamp Taschenbuch Wissenschaft

Bowlin, John R. and Peter G. Stromberg
                    (1997) "Representation and Reality in the Study of Culture." In: American Anthropologist Vol.99.1:123-134

Brauen, Martin (ed.)
                    (1982) Fremdenbilder. Frühe ethnographische Fotografie. Ethnologische Schriften Zürich, ESZ 1 Zürich: Völkerkundemuseum der Universität Zürich

Bromhead, Toni de
                    (1996) Looking Two Ways. Documentary Films's Relationship with Reality and Cinema. Hojbjerg: Intervention Press

Buckley, Liam
                    (2000/01) "Self and Accessory in Gambian Studio Photography." In: Visual Anthropology Review Vol.16.2:71-91 Los Angeles: Society for Visual Anthropology (AAA)

Burton, Alan (ed.)
                    (1998) Beyond Grierson: Studies in the British Non-Fiction Film. Trowbridge: Flicks Books

Chalfen, Richard and Sol Worth
                    (1972) "How Groups in Our Society Act When Taught to Use Cameras." In: Sol Worth and John Adair (eds.) Through Navajo Eyes. pp. 228-251 Bloomington (Indiana)

Chapman, Audrey R.
                    (2001) "Approaching intellectual property as a human right: obligations related to Article 15 (1) (c)." In: Copyright Bulletin Vol. 35.3:4-36

Charlton, M.
                    (1997) "Rezeptionsforschung als Aufgabe einer interdisziplinären Medienewissenschaft." In: Charlton, M. und S. Schneider (eds.) Rezeptionsforschung. Theorien und Untersuchungen zum Umgang mit Massenmedien. Opladen

Clifford, James
                    (1995) "Paradise." In: Visual Anthropological Review Vol.11.1:92-117

Collier, Jr., John
                    (1998) "Cultural Energy. A Photographic Essay." In: Visual Anthropology Review Vol. 13.2 Los Angeles: Society for Visual Anthropology (AAA)

Collier, Jr., John
                    (1988) "Visual Anthropology and the Future of Ethnographic Film." In: Jack Rollwagen (ed.) Anthropological Filmmaking. pp: 73-110 Chur et al.: Harwood Academic Publishers

Collier, Jr., John
                    (1987) "Visual Anthropology's Contribution to the Field of Anthropology." In: Visual Anthropology Vol. 1.1:37-47

Collier, Jr., John
                    (1975) "Photography and Visual Anthropology." In: Paul Hockings (ed.) Principles of Visual Anthropology. pp.211-230 The Hague, Paris: Mouton Publishers

Collier, Jr., John
                    (1967) Visual Anthropology: Photography as a Research Method. New York et al.: Holt, Rinehart and Winston

Connor, Linda
                    (1988) "Third Eye: Some Reflections On Collaboration For Ethnographic Film." In: Jack Rollwagen (ed.) Anthropological Filmmaking. pp. 97-110 Chur et al.: Harwood Academic Publishers

Connor, Linda and Patsy Asch
                    (1995) "Subjects, Images, Voices: Representing Gender in Ethnographic Film." In: Visual Anthropology Review Vol. 11.1:5-18

Cowan, Jane K., Marie-Bénédicte Dembour and Richard A. Wilson (eds.)
                    (2001) Culture and Rights. Anthropological Perspectives Cambridge: Cambridge University Press

Crawford, Peter I. (ed.)
                    (1993) The Nodic Eye. Proceedings from NAFA 1 Hojbjerg: Intervention Press

Crawford, Peter I. and David Turton (eds.)
                    (1992) Film as Ethnography. Manchester: Manchester University Press

Crawford, Peter I. and Jan K. Simonsen (eds.)
                    (1992) Ethnographic Film Aesthetics and Narrative Traditions. Proceedings form NAFA 2 Aarhus: Intervention Press

Crawford, Peter I. and Sigurjon Baldur Hafsteinsson
                    (1996) The Construction of The Viewer. Proceedings from NAFA 3 Hojberg: Intervention Press

Crawford, Peter Ian
                    (1992) "Film As Discourse: The Invention of Anthropological Realities." In: Peter Ian Crawford and David Turton (eds.) Film as Ethnography. pp: 66-82 Manchester: Manchester University Press

Cruz, Jon D. and Justin Lewis (eds.)
                    (1993) Viewing, Reading, Listening. Audiences and Cultural Reception. Boulder, Colorado: Westview Press

Dauer, Alfons
                    (1980) Zur Syntagmatik des ethnographischen Dokumentationsfilms. Acta Ethnologica et Linguistica 47. Wien, Föhrenau

Davies, Charlotte Aull
                    () Reflexive Ethnography. A Guide to Researching Sevles and Others. Chap. 1: Reflexivity and Ethnographic Research, Chap. 3: Ethics and Politics, Chap. 6: Using Visual Media London, New York: routledge

de Brigard, Emelie
                    (1975) "The History of Ethnographic Film." In: Paul Hockings (ed.) Principles of Visual Anthropology. The Hague, Paris: Mouton Publishers

Decker, Christof
                    (1996) Das gesellschaftskritische Direct Cinema von Ed Pincus und David Neuman. Trier: WVT

Dehn, Christopher
                    (1997) Die filmische Beobachtung als qualitative Forschungsmethode. Eine Untersuchung am Beispiel der Filmtriologie 'Turkana Conversations' von David und Judith MacDougall. Mitteilungen aus dem Schwerpunktbereich Methodenlehre Heft 44 Berlin: Institut für Soziologie

Dehnert, Walter
                    (2001) "Volkskundlicher Film im Fernsehen: Die Filmautorin Ingeborg Weber-Kellermann." In: Edmund Ballhaus (ed.) Kulturwissenschaft, Film und Öffentlichkeit. pp. 103-117 Münster: Waxmann Verlag

Dehnert, Walter
                    (1987) "Volkskundlicher Film und Filmanalyse." In: Husmann, Rolf (ed.) Mit der Kamera in fremden Kulturen. Aspekte des Films in Ethnologie und Volkskunde. pp: 201-228 Emsdetten: Gehling

Devereux, Leslie and Roger Hillman (eds.)
                    (1995) Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography. Berkeley: University of California Press

Dongen, Helen van
                    (1998) Robert Flahertys "Louisiana Story". Close Up Bd. 11 Konstanz: UVK Medien

Dornfeld, Barry
                    (1989) "Chronicle of a Summer and the Editing of Cinéma-Vérité." In: Visual Anthropology Vol.2.3-4:317-332 Chur et al.: Harwood Academic Publishers (ISSN 0894-9468)

Dörp, Peter
                    (2000) Filmanalyse Online. Selbstlernen interaktiv. Der Modellfilm: Die verlorene Ehre der Katharina Blum nach der Erzählung von Heinrich Böll. Verfilmte Literatur - wissenschaftlich analysiert. Brauweiler http://www.erft.de/schulen/abtei-gym/unterricht-online/htm/f_lexikon.htm

Dunlop, Ian
                    (1983) "Ethnographic Filmmaking in Australia. The first seventy years (1898-1968)." In: Studies in Visual Communication Vol. 9:11-18

Dunlop, Ian
                    (1979) "Ethnographic Filmmaking in Australia. The first seventy years (1898-1968)." In: Aboriginal History Vol. 3.2

Eco, Umberto
                    (1972) Einführung in die Semiotik. München

Edwards, Elisabeth (ed.)
                    (1992) Anthropology and Photography 1860-1920. New Haven, London

Eisner, Lotte H.
                    (1933) "Die Insel der Dämonen - Filmbesprechung." In: Film-Kurier Nr. 42

Eißenberger, Gabi
                    (1996) Entführt, verspottet und gestorben. Lateinamerikanische Völkerschauen in deutschen Zoos. In: Kritische und selbstkritische Forschungsberichte zur "Dritten Welt", Vol. 11 Frankfurt a.M.: Verlag für Interkulturelle Kommunikation

El Guindi, Fadwa
                    (2004) Visual Anthropology: Essential Method and Theory. Walnut Creek, Calif: Altamira Press.

El Guindi, Fadwa
                    (1998) "From Pictoroializing to Visual Anthropology." In: H. Russel Bernard (ed.) Handbooks of Methods in Cultural Anthropology pp. 459-512 Walnut Creek, Calif: Altamira Press.

Elder, Sarah
                    (1995) "Collaborative Filmmaking: An Open Space for Making Meaning, A moral Ground for Ethnographic Film." In: Visual Anthropology Review Vol. 11.2:94-101

Engelbrecht, Beate
                    (2001) Origins of Visual Anthropology. Göttingen http://www.iwf.de/va-origins/

Engelbrecht, Beate
                    (2000) "Dinge in Bewegung." In: Archiv für Vöklkerkunde Bd. 51:95-108

Engelbrecht, Beate
                    (1996) "For Whom do We Produce?" In: Crawford, P.I. and S.B. Hafsteinsson (eds.) The Construction of the Viewer. Proceedings from NAFA 3:163-176 Hojbjerg

Engelbrecht, Beate
                    (1995) "Film als Methode." In: Ballhaus, E. und B. Engelbrecht (eds.) Der ethnographische Film. Einführung in Methoden und Praxis. pp. 143-186 Berlin: Reimers Verlag

Engelbrecht, Beate und Manfred Krüger
                    (2003) "Auf der Suche nach der idealen Form: Interview in fremden Kulturen." Wossidlo, Joachim und Ulrich Roters (eds.) Interview und Film. Volkskundliche und Ethnologische Ansätze zu Methodik und Analyse. pp. 69-93 Münster: Waxmann

Engelbrecht, Beate und Rolf Husmann
                    (2004) "Films in the Classroom." In: Dracklé, Dorle and Ian Edgar (eds.) Current Policies and Practices in European Social Anthropology Education pp. 122-126 New York, Oxford: Berghahn Books

Engelhard, Jutta Beate und Peter Mesenhöller (eds.)
                    (1995) Bilder aus dem Paradies. Koloniale Fotografie aus Samoa 1875-1925. Ethnologica Neue Folge 18pp. 176 Köln: Jonas Verlag

Ertel, Dieter und Peter Zimmermann (ed.)
                    (1995) Strategie der Blicke. Zur Modellierung von Wirklichkeit in Dokumentarfilm und Reportage. Schriften aus dem Hause des Dokumentarfilms Stuttgart Close-up Bd. 5 München, Konstanz

Fabian, Johannes
                    (1996) Remembering the Present. Painting and Popular History in Zaire. pp.345 Berkely et al.: University of California Press

Farnell, Brenda
                    (1995) Do you See What I Mean? Plasins Indian Sign Talk and the Embodiment of Action. Austin, TX: University of Texas Press

Faulstich, Werner
                    (1994) Einführung in die Filmanalyse. Literaturwissenschaft im Grundstudium 1(1980 [3]) Tübingen: Gunter Narr Verlag

Faulstich, Werner
                    (1988) Die Filminterpretation. Göttingen: Vandenhoeck u. Ruprecht

Feldman, Seth
                    (1977) "Viewer, Viewing, Viewed. A Critique of Subject-generated Documentary." In: Journal of the University Film Association Vol.29.1:23-36

Feldman, Seth
                    () "'Peace between Man and Machine': Dziga Vertov's The Man with a Movie Camera." In: Grant, Barry Keith, and Jeannette Sloniowski (eds.) Documenting the Documentary: Close Readings of Documentary Film and Video. pp. 40-53

Fienup-Riordan, Ann
                    (1995) Freeze Frame: Alaska Eskimos in the Movies. Seatlle, WA

Fink, Barbara
                    (1995) Auf den Spuren Richard Nikolaus Wegners. Filmaufnahmen einer Südamerikareise (1927-1929) als ethnographische Quelle. Göttingen: unveröffentlichte Magisterarbeit

Folkerth, Jennifer A.
                    (1993) "Postmodernism, Feminism, and Ethnographic Film." In: Robert M. Boonzajer Flaes and Douglas Harper (eds.) Eyes Across the Water. Vol.IIpp. 59-69 Amsterdam:Het Spinhuis

France, Claudine de
                    (1989) "Commentary: Some Preliminary Definitions." In: Robert Boonzajer Flaes (ed.) Eyes Across the Water. pp. 18-32 Amsterdam:Het Spinhuis

Freudenthal, Solveig
                    (1988) "What To Tell And How To Show It: Issues In Anthropological Filmmaking." In: Jack Rollwagen (ed.) Anthropological Filmmaking. pp: 123-134 Chur et al.: Harwood Academic Publishers

Frey-Vor, Gerlinde
                    () Langzeitserien im deutschen und britischen Fernsehen: Lindenstrasse und EastEnders im interkulturellen Vergleich. pp. 336 Wissenschaftsverlag Volker Spiess GmbH

Friedrich, M., A. Hagemann-Doumbia, R. Kapfer, W. Petermann, R. Thoms & M.-J. van de Loo (eds.)
                    (1984) Die Fremden sehen. Ethnologie und Film. München: Trickster

Fuchs, Elisa, Heinz Hug und János Riesz (eds.)
                    (1994) Ousmane Sembène und die senegalesische Erzählliteratur. München: edition text + kritik

Fuchs, Peter
                    (1991) "Wissenschaftliche ethnographische Filmdokumentation." In: Wissenschaftlicher Film Vol. 42:178-184

Fuhrmann, Wolfgang
                    (2003) "German Colonial Cinemathography." Please do not cite without prior approval Leiden: African Studie Centrum, 27.2.2003

Gardner, Robert
                    (1972) "On the Making of 'Dead Birds'." In: Karl Heider (ed.) The Dani of West Irian. Andover, Mass.: Warner Modular Publ.

Gardner, Robert and Ákos Östör
                    (2001) Making Forest of Bliss. Intention, Circumstance, and Chance in Nonfiction Film. (mit DVD) Cambridge: Harvard University Press

Gardner, Robert and Karl G. Heider
                    (1969a) Dugum Dani - Leben und Tod der Steinzeitmenschen Neuguineas. Wiesbaden: F.A. Brockhaus

Garlinski, Majan
                    (1991) "Le feed-back dans l'anthropologie visuelle: entretien avec Jean Rouch." In: Ethnologica Helvetica Vol. 15pp: 271-277

Gast, Wolfgang
                    (1993) Film und Literatur. Analysen, Materialien, Unterrichtsvorschläge. Grundbuch. Einführung in Begriffe und Methoden der Filmanalyse. Frankfurt/Main: Diesterweg

Geffroy, Yannick
                    (1990) "Family Photographs: A Visual Heritage." In: Visual Anthropology Vol. 3.4:367-410

Genette, Gérard
                    (1994) Die Erzählung. München: Fink

Georgakas, Dan, Udayan Gupta und Judy Janda
                    (1984) "Die Stärke der visuellen Anthropologie - Ein Interview mit Jean Rouch." In: M. Riedrich et al. (eds.) Die Fremden Sehen. Ethnologie und Film. :55-74 München: Trickster Verlag

Geschwendtner, Andrea
                    (1990) "Rudolf Pöch - ein Pionier der wissenschaftlichen Medienarbeit" In: Wissenschaftlicher Film (Österreichisches Bundesarchiv)

Ginsburg, Faye
                    (2002) "Mediating Culture: Indigenous Media, Ethnographic Film, and the Production of Identity." In: Kelly Askew and Richerd R. Wilk (eds.) The Anthropology of Media. A Reader. pp. 210-235 Oxford: Blackwell

Ginsburg, Faye
                    (1995) "Production Values: Indigenous Media and the Rhetoric of Self-Determination." In: Debbora Battaglia (ed.) Rhetorics of Self-making. pp. 121-138 Berkely, Los Angeles, London: University of California Press

Ginsburg, Faye
                    (1995) "The Parallax Effect: The Impact of Aboriginal Media on Ethnographic Film." In: Visual Anthropology Review Vol. 11.2:64-76

Ginsburg, Faye
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Ginsburg, Faye
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